Dona Park is a Korean-Canadian artist based in Abbotsford, BC, whose work draws on her cultural heritage and personal identity, while also celebrating the strength of young people, women, and nature. This exhibition features paintings that mark the artist’s journey to highlight her own hyphenated Asian-Canadian identity, emphasizing her Korean heritage and the intersection of
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Fraser Valley-based artist Deb Silver seeks to combine and harmonize Coast Salish cultural teachings and scientific enquiry as they relate to plant knowledge, ecology, and analogue photography. This exhibition includes several bodies of Silver’s most recent work, which draw on Stó:lō knowledge and traditional practices as well as theories of plant communication and intelligence. The
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Simranpreet Anand with Conner Singh VanderBeek: ਸ਼ੀਸ਼ੇ ‘ਚ ਤਰੇੜ / a crack in the mirror
28.01.22 - 07.05.22
sheeshe ‘ch thareṛ is a survey of recent works by artist Simranpreet Anand, including collaborative pieces with artist and scholar Conner Singh VanderBeek. Anand’s practice, indebted to familial and cultural community, engages materials and concepts drawn from the histories of Punjab and its diasporas. The title of the exhibition, sheesh ‘ch thareṛ, captures the
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Known for trippy, immersive installation works that probe at the intersection between the virtual and the physical worlds, the Doodys produce work that desires to understand how individual and collective consciousness is impacted by the proliferation and saturation of images in contemporary screen culture. The postmodern experience is characterized by the dislocation of images from
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Combining making and showing, employing a surreal personal lexicon and mythology of colours and textures, motifs and narratives, Mitchell Wiebe imports the chaos of his studio to the well-lit, rational architecture of the art museum. Organized and circulated by the Confederation Centre Art Gallery, Charlottetown, PEI Image credit: Mitchell Wiebe, *Donkey Holds the Line,* 2002,
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