The experience of pain is a semiotic quandary. Despite its seeming universality, we lack the ability to truly communicate this phenomenon, as it is altogether interior and abstract. In this new body of work, Abbotsford artist Tara-Lynn Kozma-Perrin denies figuration as she grapples with the representational relationship between chronic pain and expressive forms of communication.
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Cody Lecoy is an emerging artist of Sylix and Lekwungen ancestry whose unique perspective combines Northwest Coast formline design with the vivid, illusory qualities of Surrealism. Cognitive Dissonance, a new series of work in which Lecoy explores his family lineage to decipher his own past. Elements from colonial heraldry, specifically the Canadian Coat of Arms,
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Mi’kwite’tmn is comprised of three exhibition components. First, the Museological Grand Hall holds vitrines (plexiglass display cases) etched with silkscreened and sandblasted images of baskets made by Johnson’s great-grandmother, Caroline Gould. Specific Mi’kmaw terminology associated with particular techniques is also used to label the diagrams. The second component is the Performance Space featuring neo-artifacts activated
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2017 Fraser Valley Regional Biennale
21.09.17 - 31.12.17
The 2017 Fraser Valley Regional Biennale is a dynamic, collective representation of exceptional artwork produced by artists in the Fraser Valley region over the past two years. Tailored iterations of the exhibition will be presented at multiple venues throughout 2017. The exhibition is planned by The Reach Gallery Museum Abbotsford in partnership with the Abbotsford
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This exhibition of new work by accomplished printmaker Ericka Walker explores the visual and rhetorical relationship between war-era propaganda and continued notions of patriotism, capitalism, and white supremacy in North America.
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Jim Adams: The Irretrievable Moment is a two-part retrospective exhibition between the Surrey Art Gallery and The Reach Gallery Museum Abbotsford.
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Collaborative and independent works by Brendan Tang and Sonny Assu combine elements from science fiction, comic book, and gaming cultures to consider how these forms alternately reinforce and transcend racial boundaries in youth culture.
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The artist’s line drawings are woven together in an immersive mural drawing that turns The Grotto Gallery at The Reach Gallery Museum Abbotsford into a life-sized colouring book. The project unfolds both in the joyful, wall-to-wall installation, and its companion adult colouring book. Colouring books will be offered for sale at The Reach for $15
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Sq’éwlets: A Stó:lō -Coast Salish Community in the Fraser River Valley is both an exhibition and a significant online project that results from a major interdisciplinary, cross-cultural collaboration.
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Hall’s research is based on two case studies: the Clayburn/Kilgard brickworks in the Fraser Valley, and the City Hall in Pietermaritzburg, KwaZulu Natal, South Africa, which is considered the largest red brick building in the southern hemisphere. These disparate sites mirror the establishment of British rule through industry, bureaucracy, and architecture. Brick is both a
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